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radically refusing liberal humanist ideas of subjectivity and species
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advocates interior architecture as a transdisciplinary laboratory of our late modernity
Barbara Casavecchia
Alan Read: The Fact of Blackness: Frantz Fanon and Visual Representation Linda Lewandowski For more information please contactInstitute of Contemporary Arts, 1996, softcover, 212 pages, 21. 5 x 15 cm Creating a far reaching and original dialogue between cultural theory and visual practice, the rich insights which emerge from this publication explain why Frantz Fanon's seminal texts of the 50s and 60s Black Skin, White Masks and The Wretched of the Earth have re emerged at the forefront of postcolonial studies. This collection of texts and dialogues work with Fanons ideas in
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