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Michael Lorenzini: Every Pill I Took: 2000-2001 contemporary artistBlurring Books, 2022, softcover, 36 pages 21. 6x 27. 6 cm In our pill happy society there is a pill for everything. Corporate ealers, aka Big Pharma, have for decades put design thought into clever pill presses and multicolored gel caps to distinguish their products and attract buyers. So too, in the 1990s and 2000s when ecstasy swept the club and rave scenes, the branding of pills was essential to the marketing, a way for the user to identify a good
exclusive interviews with lead actors
and everyone interested in the art of the 1960s and 1970s
conversations with collectives
the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley
24 × 18 cm
developed together with the artists
Following a protected childhood in Switzerland in the Second World War
connects us to the present and envisions a different
together with art critic Camiel van Winkel
at other times contemplating realistic scenarios
White's deliberate
González Rodríguez warns us that “this story has been repeated around the world
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