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which featured homoerotic interjections
mapping an artistic practice that ranges from her exhibitions at such major museums and galleries as the ICA and the Tate to her curatorship of the Women of Colour Index
as well as allies and others with whom the artist was in broader conversation―together forming a collective portrait that both embodies and complicates an understanding of the queer world of Neel’s moment and the artist’s place within it
Why am I always right
and the joy they might still hold for our children
Edmund De Waal: An Archive Silver Bromide print which featured homoerotic interjectionsIvory Press, 2025, softcover, 250 pages, 12 x 16 cm Edmund de Waal has created a book about archives that is itself archival, a gathering together of his reflections on archives from over a decade in chronological order. The book is also cyclical, it starts in Odessa in 2009 and ends in Paris in 2021 encountering his family archives in both places. In between there are his responses to the archives of poets and artists and places he loves. An Archive
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