Buddha´s Standpoint by Hilma Af Klint Size:L - 70 x 100.0cmBuddha's Standpoint belongs to Hilma af Klint's remarkable cycle of visionary paintings works in which symmetry, symbolic colour, and organic form carry a weight that transcends decoration. The composition is centred and deliberate: concentric fields of colour emanate from a still core, referencing both botanical observation and metaphysical inquiry. It is one of the earliest sustained series of purely abstract paintings in Western art history,
who taught at the Berlin arts and crafts school in the early 20th century
balancing strong female portraiture with an almost decorative abstraction of line and form
evoking leisure and refinement with effortless control
balanced symmetry – but the blue ground shifts the mood from garden warmth to something closer to formal textile elegance
It belongs to a tradition of images that were never quite serious and never quite jokes
each branch placed with intent
Soft watercolour washes build the plumage in layered tones of slate blue and russet
while unexpected cutouts and graphic intervals introduce a playful tension
Hasui Kawase depicts the Asama Shrine in Shizuoka with the calm
Layered tones of blue and green suggest still water
the ink wash gradations and fine brushwork of this Ming dynasty composition are reproduced with exceptional tonal depth and line clarity
one of the most highly regarded Nanga (literati) painters of the Edo period