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Rosi Feist's pop-art sensibility reducing movement and team energy to their cleanest possible visual statement
This is Hasui at the height of his shin-hanga period
Kandinsky believed colour and form could function like music
The work carries the meditative calm that defines her approach: balance
drawing on the illustrator's instinctive
Komposition by Otto Freundlich Graphic Design Rosi Feist's pop-art sensibility reducing'Komposition' distils Freundlich's mature abstract language into its essential elements: interlocking colour planes, no hierarchical centre, no depth illusion. The composition spreads laterally and evenly, refusing to privilege any single zone of the surface a democratic arrangement of form that reads as both rigorous and instinctive. The palette is characteristically bold, each colour chosen for its structural role rather than its descriptive
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