Composition (1921) by Piet Mondrian Typography There is a looseness to

There is a looseness to the figures that makes the tenderness of the subject feel genuine rather than sentimental

shimmering water channel and a sky of layered strokes in blue and white

contemporary approach to botanical and nature-inspired illustration

The composition has the immediacy of a woodcut and the boldness of a modernist poster

The fine art print format delivers clear edges and rich colour saturation across the full image

Composition (1921) by Piet Mondrian Typography There is a looseness toComposition (1921) stands as one of Mondrian's most resolved statements of Neoplasticism. The canvas is divided by a network of black horizontal and vertical lines into asymmetric rectangular fields, a handful of which are filled with red, blue, or yellow primary colours held in precise tension by the surrounding white and black. There is no hierarchy, no centre of gravity in the conventional sense: the composition generates balance through opposition